After last fall’s wonderful open forum on book clubs and after the craziness of the holidays, we are now ready to begin the Country Bookshelf Book Club we promised. Based on feedback from you, our customers, we’ll have a few ground rules and basic expectations and a few basic criteria for book selection. If you have further suggestions, please email us at countrybookshelf@gmail.com.
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First meeting: 7pm on Tuesday 23 March upstairs at the Country Bookshelf
Meeting schedule: 4th Tuesday of the month (no meetings November or December)
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General direction of the Country Bookshelf Book Club
1. The first rule of book club is ” Don’t talk about book club.”
1. All right, seriously now, the main expectation is that during book club meetings we WILL talk about the book.
2. This does not mean that you are unwelcome if you haven’t read the book. If you haven’t read the book, we’d still love to have your presence, and your questions might be exceptionally valuable, but don’t expect us to refrain from discussing the end of the book.
3. The Country Bookshelf will provide the location and staff members or other volunteers to lead discussion, but as with any such endeavor, individual participants will gain more from the event through participating: active listening, commenting, posing theories, suggesting ideas, asking questions, answering questions. While having read the book and/or even done some basic research on the book or author will be helpful, these are not required. The discussion leader will have some background information to share and some questions to begin the discussion.
4. We hope to stay focused on the ideas, characters, style and choices of the novel as opposed to whether we liked or disliked the book. Positive attitude, people!
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How to pick books for people you don’t yet know
The list of criteria used to select nominees for the first choice seems like a good general reference point for future selections as well.
1. Not too long. We don’t want to intimidate anyone or make book club feel like too large of a commitment.
2. Not over-exposed; that is, not already a local bestseller or one that is being talked about everywhere else all the time. It’s often better for genuine and thoughtful conversation not to be full of others’ ideas or opinions on a work.
3. Make it new. The other side of this point is that we hope that our book club helps introduce books to readers that they might not otherwise have encountered or noticed. This may include older books that we felt were overlooked (especially the fabulous titles so often “saved” by the New York Review of Books) or books in translation.
4. Accessibility. We expect to focus primarily on fiction available in paperback with a literary bent that would seem to appeal to both men and women, young and old.
5. Quality. As we expect to focus discussion on ideas and characters, the book will need to be more than just a page-turner. One possible mark of literariness is being short-listed for a major book award.
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Vote for your choice
To get the party started (and to not be overbearing), we’ve selected the nominees for the first book of the Country Bookshelf Book Club (CBBC) and would like the final selection to be made by customer votes. One voter will be randomly chosen to win a free copy of the chosen book (note: you must be able to come to the store to pick up the book if you are the winner).
Voting will continue until noon (MST) on Friday 3/5. Votes will be tallied, the winner will be drawn, and both will be announced by 5pm.
Here’s how to vote.
1. Send an email to countrybookshelf@gmail.com with “Book Club Vote” in subject line & your choice in the body. You can also take this time to say, “Hey, sign me up for that email newsletter thing-y.”
2. On Twitter, send an @ reply to @countrybooks with your choice & the hashtag #bookclubvote.
3. Come into the store and fill out a simple ballot.
4. Call us at 406-587-0166 and say “Add my vote.”
5. Since, almost by accident, I have discovered this Google feature, I’m going to try embedding a way to vote right here. Don’t hate me if it doesn’t work.
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Nominees for first ever Country Bookshelf Book Club book selection:
1. Telex from Cuba by Rachel Kushner (Scribner $16)
National Book Award Finalist

Publisher’s description:
Rachel Kushner has written an astonishingly wise, ambitious, and riveting novel set in the American community in Cuba during the years leading up to Castro’s revolution — a place that was a paradise for a time and for a few. The first novel to tell the story of the Americans who were driven out in 1958, this is a masterful debut.
Young Everly Lederer and K. C. Stites come of age in Oriente Province, where the Americans tend their own fiefdom — three hundred thousand acres of United Fruit Company sugarcane that surround their gated enclave. If the rural tropics are a child’s dreamworld, Everly and K.C. nevertheless have keen eyes for the indulgences and betrayals of the grown-ups around them — the mordant drinking and illicit loves, the race hierarchies and violence.
In Havana, a thousand kilometers and a world away from the American colony, a cabaret dancer meets a French agitator named Christian de La Maziere, whose seductive demeanor can’t mask his shameful past. Together they become enmeshed in the brewing political underground. When Fidel and Raul Castro lead a revolt from the mountains above the cane plantation, torching the sugar and kidnapping a boat full of “yanqui” revelers, K.C. and Everly begin to discover the brutality that keeps the colony humming. Though their parents remain blissfully untouched by the forces of history, the children hear the whispers of what is to come.
At the time, urgent news was conveyed by telex. Kushner’s first novel is a tour de force, haunting and compelling, with the urgency of a telex from a forgotten time and place.
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2. How to Paint a Dead Man by Sarah Hall (Harper Perennial $14.99)
Booker Prize Finalist

Publisher’s Description
From Sarah Hall, the acclaimed, award-winning author of Daughters of the North and The Electric Michelangelo comes the Harper Perennial paperback original novel How to Paint a Dead Man, a daringly imaginative tale in which multiple lives are woven together through the prism of a still life painting. Moving from Italy to England, spanning nearly half a century, and bringing together the lives of four disparate characters, How to Paint a Dead Man is Hall’s fierce and brilliant study of art and its place in our lives. The lives of four individuals—a dying painter, a blind girl, a landscape artist, and an art curator—intertwine across nearly five decades in this luminous and searching novel of extraordinary power. With How to Paint a Dead Man, Sarah Hall, “one of the most significant and exciting of Britain’s young novelists” (The Guardian), delivers “a maddeningly enticing read . . . an amazing feat of literary engineering” (The Independent on Sunday).
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3. Land of Marvels by Barry Unsworth (Norton $14.95)
Unsworth is a former Booker Prize winner

Publisher’s Description
In this masterful work of historical fiction set during the dying days of the Ottoman Empire, the schemes of Western powers grappling for a foothold in Mesopotamia come vividly to life. English archaeologist John Sommerville begins excavating a historical site, believing he has uncovered a find that will revolutionize his field. But when the Germans threaten his dig with their railroad, he hires an Arab spy, not recognizing the spies dwelling in his own house.
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4. In Other Rooms, Other Wonders by Daniel Mueenuddin (Norton $13.95)
National Book Award Finalist

Publisher’s Description
Passing from the mannered drawing rooms of Pakistan’s cities to the harsh mud villages beyond, Daniyal Mueenuddin’s linked stories describe the interwoven lives of an aging feudal landowner, his servants and managers, and his extended family, industrialists who have lost touch with the land. In the spirit of Joyce’s Dubliners and Turgenev’s A Sportsman’s Sketches, these stories comprehensively illuminate a world, describing members of parliament and farm workers, Islamabad society girls and desperate servant women. A hard-driven politician at the height of his powers falls critically ill and seeks to perpetuate his legacy; a girl from a declining Lahori family becomes a wealthy relative’s mistress, thinking there will be no cost; an electrician confronts a violent assailant in order to protect his most valuable possession; a maidservant who advances herself through sexual favors unexpectedly falls in love. Together the stories in In Other Rooms, Other Wonders make up a vivid portrait of feudal Pakistan, describing the advantages and constraints of social station, the dissolution of old ways, and the shock of change. Refined, sensuous, by turn humorous, elegiac, and tragic, Mueenuddin evokes the complexities of the Pakistani feudal order as it is undermined and transformed.